Trusting the Author (To Make it Worth the Wait)

Karri Justina Shea June 12, 2012 14

Talk to any writer you know, and you’ll find that they probably fall into one of two camps: those who plan, and those who fly by the seat of their pants. Both methods have their strengths, but when it comes to making the commitment to reading a fantasy series of epic proportions, I tend to hope that my author is one of the former.

Seven years, seven horcruxes, seven books.

Take the Harry Potter series: spanning ten years from the publication of the first to the last, and seven years of storyline; as the world created by Jo Rowling expanded, it also grew more complex. Throwaway lines in Philosopher’s Stone (the flying motorcycle Hagrid “borrowed off Sirius Black,” for example) suddenly hold far greater meaning once you’ve read Prisoner of Azkaban. A plot device we thought we’d left behind in Chamber of Secrets turns out to be the key to Voldemort’s demise in Half-Blood Prince. From start to finish, the series as a whole could be a textbook example of near-perfect planning: no loose ends left untied, no minor characters left without their due. As a young and devoted reader, eagerly awaiting each book in turn, never once did I fear that Jo would let me down, or that Harry’s story would turn out any way but exactly how it was meant to. The proof was in the very fabric of the books, from the very beginning.

Another story altogether is Robert Jordan’s Wheel of Time series. Originally intended to be six books, one could say that things got a little out of hand, with Book Thirteen the most recent to hit the shelves. Jordan’s world-building is solid, his characters intriguing, his plots action-packed. But as I reached Book Seven, Book Eight, Book Nine, with more and more characters and subplots being added, and seemingly no nearer to a conclusion than they’d been three or four books before, I began to question my fealty to the series.

A trilogy on its way to seven.

It took a plot device that turned three strong female characters into nothing more than sister-wives to the protagonist to finally cause me to despair, and Mr. Jordan’s untimely death sometime after the publication of Book Eleven sealed the deal. The author was forward-thinking enough to leave behind copious notes so that his loyal readers would not be left hanging, and fantasy writer Brandon Sanderson stepped up to the daunting task of bringing the series to its conclusion. The final irony, perhaps, is that even Mr. Jordan’s planned twelfth and final book had to be stretched into three. Whether the Wheel of Time, in the end, fulfills its grand intentions or reveals itself to be nothing more than a decades-in-the-making hot mess remains to be seen with the publication of Book Fourteen next year.

George R. R. Martin’s Song of Ice and Fire is another vast and popular fantasy series that has overshot its mark – meant to be a trilogy, and now set for seven volumes. No one could argue that Martin hasn’t been planning – the absurd amount of detail about noble families, foreign lands, and personal sigils speaks to that – but the increasing expansiveness of the series has me worried that it’s going the way of the Wheel. The fifth and most recent book in the series, A Dance with Dragons, was six years in the making and yet took us not much further ahead, in terms of timeline, than its companion A Feast for Crows.

A trilogy on its way to seven.

New narrative characters are being introduced more quickly than old ones are being killed off, and those we know and love (or love to hate) are drifting so far apart that one wonders how Martin will be able to bring them all back together within a mere two books for the great finale that must be coming. Some characters are given only one or two chapters per volume now, and the overall effect is one of just floundering around, waiting for something to happen. At the beginning of Book Five, we are poised for war. And at the end of Book Five… we are poised for war. By contrast, a recent reread of Book One revealed a novel that was well-paced, manageable, and offered satisfying character arcs for each of its eight main narrators. As a reader who at this point is well invested in the world of Westeros, I can only hope that Martin will come through with a payoff that is well worth the wait.

I wish I could trust that he will.

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  • alan frost

    A well written novel takes the shape of a quest; a linearly horizontal progression through narrative time, Jordan explodes that linearity in a bewildering near-dimensionless knot or tangle of non-progression, utterly stupid! That’s why in literature/English courses he is now constantly used as an example of what not to do.

    Jordan’s use of grammar is childish in the extreme.

    ‘She managed to be pretty if not beautiful despite a nose that was overbold at best’—at best? How would it have been if it had been the worst?

    ‘Gaunt cheeks and a narrow nose hid the ageless quality of the red sister’s features’: so ‘cheeks’ and ‘nose’ don’t count as features?

    Her eyebrows climbed as she directed her gaze back to them, eyes black as her white-winged hair, a demanding stare of impatience so loud she night as well have shouted.

    Her eyes are black, they’re white, her eyebrows are escaping, her gaze is audible.

    This, this is all terribly written. I don’t just mean the style, although the style is awful. I mean the whole kit-and-kaboodle: the overall structure, and the narrative, the pacing and focalisation, the characterisation, the dialogue, the tone. All of it.

    The writing was mediocre from the get-go but somewhere after book three went rapidly downhill, many think that because of the extremes in writing at times within these books that Jordan’s wife was gradually taking the helm.

    And then there is this sort of utter rubbish; text with cod-proverbial wisdom.

    A weeping woman is a bucket with no bottom” But this can’t be right. ‘When a woman weeps it’s like all the water gushes out in one go and then she’s dry’? Presumably not. ‘Don’t try gathering water in a weeping woman.’ What

    “I could have shaved myself with one sneeze” What?

    Outwith WOT/ Dragonmount, his fan base, everyone else can see the series for what it is!

    Never has an author used so many words to say so little.

  • http://savingthatfornow(currentlypreparingmyownblogseries!) Scott Doyle

    Anything based in the Forgotten Realms setting (fantasy/D&D universe of absolutely astounding depth). There has to be 50+ different trilogies, miniseries, etc. set there (including the uber-game series Baldurs Gate, which takes place in around the city of the same name). I personally think both the Dark Elf Trilogy and the Cleric Quintet have some extra mustard, but I’m sure you can find people recommending dozens of more collections (and hundreds of stand-alone novels) from that world.

    • http://karrijustinashea.wordpress.com Karri Justina Shea

      Wow, that many books can’t possibly be the work of one author – can they? I will check it out, thanks!

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  • http://twitter.com/leonicka Leonicka (@leonicka)

    Love this! Story craft is so important to me and it’s why I have so much respect for Rowling. She wrote with intent; everything had a purpose. I have not read the other series you mentioned but now I probably never will. Writing by the seat of your pants is fine–for a first draft. Being able to edit and see all the moving parts are the marks of a great writer I think.
    I make an exception for individual/stand-alone books that are set in the same world. I think those are completely awesome and the series can go on forever. One books action is not necessarily dependent on the the previous one so the reader can start and stop whenever. I think more authors should consider that as an alternative to their never-ending series.

    • http://karrijustinashea.wordpress.com Karri Justina Shea

      That’s a good alternate – I think I wouldn’t mind that, although I haven’t read many such books. Any recommendations?

  • lvoisin

    I’m all for planning, and I think it’s important to know where I want to go, but I also like to leave a little wiggle room. I remember being very upset when Christopher Paolini added another book to the Inheritance Trilogy, so I can understand how readers feel about things shifting.

    • http://karrijustinashea.wordpress.com Karri Justina Shea

      That’s another good example! I found Paolini’s books got stronger as they went, but I agree that hearing that an author’s original projection for number books has changed earns an automatic side-eye from me.

  • http://gfonadime.wordpress.com Ariel

    I tried to read Wheel of Time, I truly did. I made it to the end of the third and realized that aside from a few main characters, I couldn’t remember who was who or what they were even doing, so I went and reread David Eddings instead :P

    • http://karrijustinashea.wordpress.com Karri Justina Shea

      *makes a mental note to look up David Eddings*

      I wouldn’t mind finishing out the series, since I got so far into it, but at this point I really don’t think I’d remember a thing, and I don’t think I can make the commitment to start the whole thing over…

      • http://gfonadime.wordpress.com Ariel

        David Eddings’ series are pretty formulaic (I find, now that I’m older and have a degree in English hur hur) but to teen!me, they were so good. The characters are very engaging and the narrative’s very humorous – not quite Terry Pratchett, but definitely having a better time than Robert Jordan. I’d def. recommend them – starting with Pawn of Prophecy; the Belgariad series is a great ride.

  • http://jeynagrace.wordpress.com Jeyna Grace

    Planning helps in completing a novel.. for me.. thats the best way.

    • http://karrijustinashea.wordpress.com Karri Justina Shea

      As a writer, I’m the same… plans can change, but without a framework I don’t know that I would ever finish anything!